Cabe decir además que sin imaginarlo me he tropezado aquí con varias referencias a publicaciones limeñas. E incluso como parte del proyecto Vitrinas del MUSAC, que tiene como invitada a la revista venezolana Pulgar, han colocado en exhibición y consulta el número #3 de la revista Prótesis que coeditaramos (junto con Eliana Otta, Sharon Lerner, Juan Salas, Nancy La Rosa, Santiago Quintanilla, y otras personas) ya cinco años atrás y que curiosamente anuncié en uno de los primeros post de este blog. Coincidentalmente también la presentación de esa revista la hicimos en La Culpable!
Y según me contaron ahora en el MUSAC el número #0 de Juanacha (que editamos Eliana Otta y yo en Medellín, en el contexto del MDE07) ha sido recientemente sustraido del espacio de consulta. Me ha dado algo de pena porque es un número realmente difícil de conseguir, pero habiendo tantas revistas buenas allí expuestas quiero pensar que tal vez el ladrón la disfrutó y quiso tanto que no tuvo más opción que robarla! Espero que al menos pueda seguir circulando. Reproduzco la información del foro ahora y luego de esta actividad (la última del año, espero) prometo actualizar de forma regular.
.............
II Foro de la Edición. Publicaciones Independientes de Arte en Latinoamérica
Fecha y lugar: sábado 11 de diciembre, Auditorio del MUSAC // lunes 13 de diciembre, Fundação Serralves, Oporto.
Publicaciones participantes: E- Flux Journal, Nueva York; Juanacha, Perú; populardelujo, Colombia; Pulgar, Venezuela; Revista Ramona, Argentina; Trópico, Brasil; Valdez, Colombia.
Dirigido por: Araceli Corbo, Responsable Biblioteca-Centro de Documentación MUSAC; María Inés Rodríguez, Conservadora Jefe MUSAC
Contenidos: Mª Virginia Jaua
Matrícula: 10€ (5 € estudiantes, jubilados y personas en situación de desempleo). A través de www.musac.es y en recepción del museo
El número de cuenta: Caja Duero 2104 3235 75 9128437875.
Número de plazas y plazo de presentación: 100. Hasta completar aforo
Inscripción: AQUÍ
Representantes de las publicaciones:
* Julieta Aranda, codirectora de e-flux Journal, NY
* Miguel López. Crítico de arte, coeditor revista Juanacha, Perú.
* Roxana Martínez. Coeditora de populardelujo, Colombia.
* Guadalupe Maradei. Coordinadora de la revista Ramona, Argentina
* Lisette Lagnado. Comisaria, coeditora revista online Trópico, Brasil.
* Bernardo Ortiz. Coeditor de la revista Valdez, Colombia
* Analia Solomonoff. Proyecto Last México, moderadora de las jornadas III Edición Foro de Ediciones Contemporáneas del Museo Carrillo Gil
Instituciones Colaboradoras: Fundacao Serralves, Oporto y Museo Carrillo Gil, México
PROGRAMA MUSAC
11 de diciembre. De 11 a 14 y 17 a 20h.
11:00 h.
Presentación del II Foro de la Edición
María Inés Rodríguez, Conservadora Jefe MUSAC y Araceli Corbo, Responsable de la Biblioteca-Centro de Documentación MUSAC
11:15 – 12:30 h.
Espacio para los artistas y lugar de formación de discursos
Guadalupe Maradei, Coordinadora de la revista Ramona, Argentina; Lisette Lagnado, Comisaria, coeditora revista online Trópico, Brasil; Bernardo Ortiz, Artista y Coeditor de la revista Valdez, Colombia;
12:45 – 14:00 h. Centros de información independiente, urgencia de nuevos cuestionamientos
Julieta Aranda, artista y coeditora de E-Flux Journal; Miguel López, Crítico de arte, coeditor revista Juanacha, Perú; Roxana Martínez, Coeditora de populardelujo, Colombia;
17:00 – 18:30 h. Panorama general de las publicaciones independientes y de crítica del Arte en Latinoamérica
Modera: María Inés Rodríguez
Participan: E-Flux Journal, NY / Juanacha, Perú / populardelujo, Colombia / Pulgar, Venezuela / Ramona, Argentina / Trópico, Brasil / Valdez, Colombia
Analia Solomonoff, participa en el debate a través de vídeoconferencia para enlazar con las Jornadas que modera en el Museo Carrillo Gil de México: III Edición Foro de Ediciones Contemporáneas, que se celebran simultáneamente
18:30 – 20:00 h. Presentación del número 0 de RADAR, Revista de Arte y Pensamiento MUSAC
Agustín Pérez Rubio, Director MUSAC
María Inés Rodríguez
…
MUSAC promueve desde 2010 el Foro de la Edición, un encuentro bianual cuyo formato permite la creación de una comunidad temporal de trabajo para reflexionar sobre diferentes aspectos de la edición de publicaciones de crítica, teoría y práctica artística contemporánea en distintos ámbitos.
Complementando la exposición de la Revista venezolana Pulgar en el Proyecto Vitrinas, en esta ocasión, el II Foro enfocará su mirada a las publicaciones independientes de arte editadas por colectivos de artistas o intelectuales del contexto latinoamericano, a través de una reunión abierta, que se celebrará el 11 de diciembre, entre los editores, artistas, pensadores y mediadores culturales invitados.
Los editores de las revistas independientes de arte Ramona, Argentina; populardelujo, Colombia; Juanacha, Perú; Trópico, Brasil; E- Flux Journal, Nueva York y Valdez, Colombia, cuestionarán las publicaciones como espacios para los artistas, lugares de formación de discursos y centros de información independiente, y valorarán el panorama general de las publicaciones independientes y de crítica de Arte en Latinoamérica.
Las publicaciones latinoamericanas seleccionadas, son la representación del sólido compromiso de los editores con el arte contemporáneo y con su contexto. La labor editorial independiente les ha permitido emprender sus publicaciones con libertad, autonomía y criterio definido, e idear procesos y soluciones creativas para superar las barreras inherentes a la producción independiente. Estas publicaciones son medios flexibles y dinámicos que no sólo permiten la circulación de la información, sino que exploran nuevas construcciones culturales, generan sentido y, sobretodo, son espacios mentales que se erigen como un campo de experimentación ineludible para la sociedad contemporánea.
Continuando con la línea editorial del MUSAC el Foro de la Edición publicará El Boletín del Foro, en la que se recogen textos críticos e inéditos de los participantes, y la agenda del próximo encuentro, programado en mayo de 2011.
La I Edición celebrada en mayo puso en juego el papel de las publicaciones de Critica de Arte en España y congregó a José Luis Brea, Director de Estudios Visuales; Mª Virginia Jaua: Directora editorial de salonKritik; Martí Manén, Co-director de A*DESK; Darío Corbeira, Editor de Brumaria, Mar Angosto, Coordinadora de mus-A, y Maider Zilbeti Pérez, Directora de Zehar.
MUSAC presentará en el marco del Foro, el número O de RADAR, Revista de Arte y Pensamiento MUSAC, espacio crítico que aborda las construcciones culturales contemporáneas de Latinoamérica desde la visión de algunos de sus artífices más influyentes.
La Fundação Serralves de Oporto se suma a la iniciativa celebrando en su sede el encuentro el 13 de diciembre para expandir el análisis sobre la edición independiente a través de las publicaciones latinoamericanas participantes.
Programa de ponentes en MUSAC:
Guadalupe Maradei (coordinadora de la revista Ramona, Argentina)
Roxana Martínez (co-editor populardelujo, Colombia)
Miguel López (crítico de arte, coeditor revista Juanacha, Perú)
Lisette Lagnado (comisaria, coeditora revista online Trópico)
Bernardo Ortiz (coeditor de la revista Valdez)
Julieta Aranda (codirectora de e-flux)
Analia Solomonoff (Proyecto Last México, moderadora de las jornadas III Edición Foro de Ediciones Contemporáneas del Museo Carrillo Gil)
Programa de ponentes en SERRALVES:
Guadalupe Maradei (coordinadora de la revista Ramona, Argentina)
Roxana Martínez (co-editor populardelujo, Colombia)
Bernardo Ortiz (coeditor de la revista Valdez)
Sofia Gonçalves y Marco Ballesteros (diseñadores de publicaciones)
José Bártolo (profesor y teorico de diseño)
Más información F. Serralves
Revista *Ramona
www.ramona.org.ar
Presentado por Guadalupe Maradei (coordinadora de la revista Ramona, Argentina)
Revista mensual dedicada a las artes visuales en Buenos Aires, publicada desde mayo del año 2000 hasta junio del 2010. La revista se posicionó como un medio central para la formación de discursos sobre las artes visuales en el país. Fue seleccionada para participar en la bienal Documenta 12 magazines - Kassel 2007. Alrededor de 300 autores -artistas, historiadores, críticos, comisarios/curadores, coleccionistas, galeristas, escritores e investigadores- han colaborado en la revista, entre ellos se destacan: Liam Gillick (U.K), Thierry de Duve (Bélgica), Nelly Richard (Chile), Dmitry Vilensky (Rusia), Brian O' Doherty (Irlanda), Claire Bishop (U.K), Suely Rolnik (Brasil), Susan Douglas (Canada), Robert Storr (USA), Kevin Power (U.K), Arthur Danto (USA), Gianni Vattimo (Italia), Abbas Kiarostami (Irán). Editada por la fundación Sociedad, Tecnología, Arte (START), entidad sin fines de lucro. Se trata de una revista de unas 100 páginas, de formato textual y sin imágenes, impresa en blanco y negro.
Editor fundador: Gustavo Bruzzone.
Grupo Editor: Roberto Amigo, José Fernández Vega, Graciela Hasper, Roberto Jacoby, Fernanda Laguna, Ana Longoni, Guadalupe Maradei, Judi Werthein
Desde 2001 también existe una versión online, *www.ramona.org.ar*, y un boletín semanal que registran todas las muestras que se realizan en el país (alrededor de 100 exhibiciones por mes). Este sitio, actualmente disponible, recibe 150.000 visitas cada año. Allí se pueden leer y descargar versiones electrónicas de las ediciones de *ramona* en soporte papel.
Sobre Guadalupe Maradei
populardelujo, Colombia
www.populardelujo.com
Presentado por Roxana Martínez
Populardelujo es un proyecto sin ánimo de lucro y en función del patrimonio colectivo, dedicado a dar cuenta, proteger y estimular el capital cultural popular y urbano de Bogotá, Colombia, Suramérica. Populardelujo investiga y recoge información; produce exposiciones, textos y conferencias, y vincula y promueve iniciativas que se inscriben dentro de su misma preocupación, conformando un dinámico centro de información que en diversos formatos integra múltiples visiones sobre la Bogotá común y corriente.
Aunque puede adoptar múltiples formas, Populardelujo tiene a internet como principal plataforma de publicación de contenidos y mecanismo de funcionamiento cooperativo. El sitio web www.populardelujo.com recibe alrededor de 20.000 visitas al mes y sus boletines mensuales son leídos por más de 5.000 suscriptores alrededor del mundo.
Sobre Roxana Martínez
Juanacha, Perú
Web
Presentado por Miguel López
Juanacha es una publicación de crítica cultural y escritura sobre artes visuales de carácter cooperativo del Espacio La Culpable (Lima, Perú). Nace como una urgencia editorial asociada a este espacio independiente y colectivo de arte que intentaba transformar sus formas de discutir en la escena limeña. La Culpable desde finales de 2006 es un lugar de reunión y discusión semanal, zona de talleres y proyectos especiales, plataforma de activación ciudadana, eventual recinto de exposiciones de emergencia, etc. Acciones todas que en cierto momento exigieron un soporte físico de discusión. La primera edición de Juanacha fue producto de la residencia de La Culpable en el ‘Encuentro Prácticas Artísticas Contemporáneos Medellín 07’, en Colombia (junio 2007). Frente a la severidad académica tradicional de una revista de arte, Juanacha apuesta por el espíritu crítico entendido como lugar de experimentación.
Sobre Miguel López
Revista online Trópico, Brasil
Web
Presentado por Lisette Lagnado
La revista electrónica brasileña Trópico es una iniciativa del periodista de la Folha de S. Paulo, Alcino Leite Neto, actualmente editor de PubliFolha. Además de Leite Neto, colaboran en la edición de la revista, la antropóloga, Esther Hamburger y la crítica de arte, Lisette Lagnado. Pionera de las revistas electrónicas de cultura en Brasil, participó en la plataforma Documenta 12 magazines (Kassel, 2007). La revista electrónica, invita a un nutrido grupo de colaboradores a contribuir desde un posicionamiento crítico y teórico con ensayos en torno al Arte, audiovisual, publicaciones de prosa y poesía, investigaciones sobre territorio, política, identidad, construcciones culturales, etc.
Los objetivos con los que nace la publicación eran: realizar una revista electrónica de cultura, una revista multidisciplinar, dedicada tanto al ensayo como a la crítica y al periodismo, evitando la pauta dominante de la prensa escrita, enfocada hacia asuntos poco comunes en los periódicos y revistas de gran circulación; y explorando los aspectos desconocidos para el público cuando trata de temas culturales dominantes, o globalizados.
Sobre Lisette Lagnado
E- Flux Journal
www.e-flux.com/
Presentado por Julieta Aranda
Editada por Julieta Aranda, Brian Kuan Wood y Anton Vidokle, e-flux journal es una publicación de arte mensual que incluye ensayos y contribuciones de algunos de los artistas y pensadores más comprometidos de hoy. La publicación está disponible en línea, PDF y en formato impreso a través de su red de distribuidores. Con el número inaugural de e-flux journal se pretende desarrollar al mismo tiempo un espacio discursivo y un lugar para la producción de arte en el que escritores, artistas y pensadores son invitados a escribir sobre temas de su elección, con la intención de que las contribuciones incluidas puedan empezar a dar sentido a la variedad de preocupaciones y urgencias de hoy en día, y que surjan ciertas consistencias y problemas generales para poder dar forma a los siguientes números de la publicación.
Sobre Julieta Aranda
Revista Valdez, Colombia
Web
Presentado por Bernardo Ortiz
Editada por François Bucher, Lucas Ospina y Bernardo Ortiz Valdez. Valdez empezó en 1994 como un diálogo local entre amigos en Colombia. El contenido de Valdez obedece a la lógica que sus editores definieron en su primer editorial como “anacrónica y de autor”. Dado que la revista fue planteada desde el principio como económicamente inviable, la periodicidad y la actualidad informativa no regulaban los intereses de los editores. Valdez se movió en tres vertientes principales: Traducciones de textos que no se conseguían fácilmente en su momento, artículos de colaboradores que incluían dibujos, cuentos, ensayos, documentos, etc; la construcción de una buena parte de la vida y obra de Pedro Manrique Figueroa, el precursor del collage en Colombia, y La publicación de pequeñas películas a manera de flipbook en la esquina inferior derecha de toda la revista.
La revista incluía pequeños chistes tipográficos, que indican un cierto cuidado, juegos con las notas al pie, con las fe de erratas, con las cartas al editor, con todas aquellas cosas que definieron en una época el género revista y que se armaron en esta revista como una ficción. La revista desapareció en 2007.
Sobre Bernardo Ortiz
Revista Pulgar, Venezuela
http://pulgar.multiply.com/
Pulgar es una revista venezolana editada por el artista Luís Romero desde 1999. Junto al Comisario Eneas Bernal, han configurado un proyecto específico en torno a la publicación para las Vitrinas del MUSAC. La muestra se acerca a algunas de las pautas que han definido la labor de Pulgar: el intercambio entre creadores, el trabajo en red y el rigor de las miradas curatoriales que se han ido sucediendo a lo largo de las diferentes ediciones. Los comisarios muestran también una selección de destacados proyectos editoriales de creación procedentes de distintos contextos latinoamericanos.
Como parte del proyecto MUSAC ha coeditado un número especial de PULGAR. Con una tirada de 4.000 ejemplares, esta nueva publicación gravita sobre la(s) práctica(s) editorial(es) como uno de los ejes de la creación visual contemporánea en América Latina. Un ensayo que desde un lugar y un contexto dado (PULGAR) analizará el creciente interés y la vitalidad de los procesos e ideas así como la sustentabilidad y creatividad que fundamentan el ámbito de la edición en América Latina a través de una nutrida participación de colaboradores en activo y varios proyectos que se han decido rescatar por su interés en determinados contextos del sur del continente.
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86 comentarios:
muy bien miguel, me encanta enterarme de estas extensiones del discurso de lo latinoamericano - suramericano, dentro de soportes de discusión y reflexión que siguen faltando en nuestra escena!. abrazo y que la labor maratonica continue!
MANYA!
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Hi, i learn your blog occasionally and i personal the same one and i used to be just wondering for those who get plenty of spam feedback? If that's the case how do you prevent it, any plugin or something you possibly can recommend? I'm getting so much these days it is driving me mad so any help could be very much appreciated. Anyway, in my language, there are not a lot good source like this.
Your blog is fine. I simply want to touch upon the design. Its too loud. Its doing approach an excessive amount of and it takes away from what youve got to say --which I think is basically important. I dont know in the event you didnt suppose that your words may maintain everyones consideration, but you have been wrong. Anyway, in my language, there usually are not a lot good source like this.
Daniel, yea I can see what you did there. I actually liked that part, but hehe I'm not that harsh like my dad with these things. He at all times tells me crazy stories again in the day and calls me a loser. I assume it's time I transfer out of my parents' basement LOL. Aaanyways, what about you? what does your dad assume xD" Anyway, in my language, there usually are not much good source like this.
Hi, i learn your blog occasionally and i personal the same one and i used to be just wondering for those who get plenty of spam feedback? If that's the case how do you prevent it, any plugin or something you possibly can recommend? I'm getting so much these days it is driving me mad so any help could be very much appreciated. Anyway, in my language, there are not a lot good source like this.
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Your blog is fine. I simply want to touch upon the design. Its too loud. Its doing approach an excessive amount of and it takes away from what youve got to say --which I think is basically important. I dont know in the event you didnt suppose that your words may maintain everyones consideration, but you have been wrong. Anyway, in my language, there usually are not a lot good source like this.
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Daniel, yea I can see what you did there. I actually liked that part, but hehe I'm not that harsh like my dad with these things. He at all times tells me crazy stories again in the day and calls me a loser. I assume it's time I transfer out of my parents' basement LOL. Aaanyways, what about you? what does your dad assume xD" Anyway, in my language, there usually are not much good source like this.
This may be a perfect example of information asymmetry and adverse selection in insurance. I hope all textbook authors and legislators notice.
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