Mirror Mirror on the Wall: Intersubjectivity in Parallax

Me acaban de llegar novedades interesantes del boletín del Center for Curatorial Studies, Bard College, vía e-flux. Se anuncia las exposiciones de primavera en la galería del CCS, con la apertura el 13 de mayo.

Se señalan entre otras varias exposiciones (con obras de Jorge Macchi, Ernesto Neto, Roni Horn, etc.), una exhibición curada por Max Hernández Calvo titulada Mirror Mirror on the Wall: Intersubjectivity in Parallax con varios obras de artistas peruanos. La cual por el título y breve descripción intuyo continúa en la exploración de los aspectos del dolor y la confesión desde el arte contemporáneo, algo acaso ya trazado con su anterior exposición en Lima: Paink Killers. Pain Thillers. En la negociación del dolor. (Lima, Centro Cultural de la PUCP, 2004).

Copio aquí la información:



Spring Exhibitions in the CCS Galleries, May 13 – 27, 2007
Opening reception: Sunday, May 13, 1:00 – 4:00 pm


from rest to rest
Four artists working with digital media call attention to our mobile presence in space. (Ricci Albenda, Peter Campus, David Rokeby, Peter Rose)
Curated by Emily Zimmerman

Novel Readings

Works by Glenn Ligon, Jorge Macchi, and Ernesto Neto are presented in association with novels and literary criticism to raise questions about cultural contexts.
Curated by Florencia Malbrán

Repeat

Performances: Roni Horn and Ragnar KjartanssonOne hundred portraits and an incessant performance, each questioning identity and difference.
Curated by Markús Thór Andrésson

Mirror Mirror on the Wall: Intersubjectivity in Parallax
If there’s such a thing as a pornography of the emotions, then this is an orgy of an art show. (Lara Alcántara, María Elena Alvarado, Enrique La Cruz, Diego Lama, José Miyashiro)
Curated by Max Hernández Calvo

Come On Pilgrim: A 110-Mile Exhibition
A map and audio companion lead visitors to six commissioned projects between New York City and the CCS, each based in a journey. (Robert Bryn, Karl Larsson, Joanna Malinowska, Lee Walton, James Walsh)
Curated by Laura Mott


These exhibitions were made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; the Audrey and Sydney Irmas Charitable Foundation; the Patrons, Supporters, and Friends of the Center for Curatorial Studies; and by the Center’s annual benefit for student scholarships and exhibitions. Additional support for the spring exhibitions has been provided by the Monique Beudert Fund and the Mondriaan Foundation.


[imagen: Roni Horn, Portrait of an Image (with Isabelle Huppert), 2005, 100 photographs in up to 20 sequences of 5, Courtesy the artist and Hauser & Wirth Zurich London.]